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Daniel Arsham×Pokémon「Relics of Kanto through time」

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Daniel Arsham×Pokémon「Relics of Kanto through time」
Daniel Arsham×Pokémon「Relics of Kanto through time」

An installation where you can experience the world view of Daniel Arsham's work concept "Fictional Archeology (archeology as fiction)" is unveiled for the first time in the world.

The new solo exhibition "Relics of Kanto Through Time" by New York-based artist Daniel Arsham will be held at PARCO MUSEUM TOKYO (Shibuya PARCO 4F). This exhibition is an art project by Nanzuka curation, which enabled Pokemon's first collaboration with contemporary artists. It is a special exhibition held at the same time as the exhibition at the collaboration studio 2G of Shibuya PARCO 2F. At the front entrance of Shibuya PARCO 1F, a bronze "Pikachu" made of about 2m size is installed as a public art.

Various Pokemon that expresses the world of "Pokemon Red / Green" excavated in 3020 AD, fossilized and can see crystal crystals from inside.

This work has a four-dimensional context with the concept of time by imagining the time required to recognize and fossilize in the three-dimensional world through a two-dimensional world.

A space that crosss space and space.
Crystalized quiet and beautiful shine.

On the day of the reception, Pikachu also appeared. We will deliver a photo with the guest who met their favorite Pokemon.

©Daniel Arsham Courtesy of NANZUKA ©2020 Pokémon. TM,®Nintendo.

Special Thanks to ArigaHitoshi and Kotobukiya Co., LTD.

※This reception is held by limiting the number of people per hour, measuring the temperature.

Photo
Sachiko Saito
Warach Pattayanan
Edit
RIDE MEDIA&DESIGN inc.
Special Thanks
HYPEBEAST
Pred PR

 

Yuka Mizuhara (@ashley_yuka) imma (@imma.gram)
plastic boy (@plusticboy)
Taiichi Mukai (@taichi313) Kohei Fukunaga [Rain Parade] (@kohei33) GEN [04 Limited Sazabys] (@04genls) Chiaki Hatakeyama (@hatakeyama_chiaki) Reoreona (@reoreona) Sumire (@ sumire80)
Baby Mary(@babymaryfaline
YOSHIDA Sayo (@ sayobaby)
YOSHI (@yoshi.226) Tsuyoshi Akimoto [Director of AKIMOTO Inc.] (@go_akimoto)
Yuya Nara (@yuyanara)
TAIKI (@taiki_jp)
HAO(@haohiguchi
BEEN(@beenishere
NOAH(@noah_bbb
Shohei Matsuzaki (@matuzakishohei)
Jun Shinoka (@junniioka)
Shibata Aribobobo [Yabi T-shirt shop] (@shibata_aribobobo)
Hinanchu [SILENT SIREN] (@shinaofficial0313)
Akihiro Wajima (@wazzytokyo)
Ogi “POGGY” Motofumi (@poggytheman)
Junya Matano [KITH] (@junyamatano)
Ogi “POGGY” Motofumi (@poggytheman)
Ryo Takashima (@ryo__takashima)
Ryunosuke Uchida [2G TOKYO] (@r_mj23) Tsunekazu Ishihara [Pokemon Co., Ltd.] Takuya Yamanaka [THE ORAL CIGARETTES] (@oraltakuya) Yukiya Terai (@yukiya.terai) YINYO (@yinyo_tyo)
Ryoya Nakazato impudent life designer (@zatto__zatto)
Dori Sakurada (@dorisakurada) NANZUKA 2G (Shibuya PARCO 2F) Commemorative item for this exhibition
2G TOKYO P-ROOM THE WORLD (Shibuya PARCO 2F)
Ogi “POGGY” Motofumi (@poggytheman)


■Daniel Arsham Daniel Arsham Arsham

Born in Ohio, USA in 1980, graduated from the prestigious Art Academy, Cooper Union. Currently, he is an artist based in New York. His works range from three-dimensional works, paintings, installations, and performances based on the concept of "Fictional Archeolog Archeology as fictional fictional." MOMAPS1 (New York), The Museum of Contemporary Art (Miami), The Athens Bienniale (Athens), The New Museum (New York), Mills College Art Museum (Oakland), Carréd'Art musée d'artcontemporain de Nevames (Nimes, France) and How Art Museums around the world.
URL: https://www.danielarsham.com/




■NANZUKA

In 2005, he was established in Shibuya, Tokyo under the name of NANZUKAUNDERGROUND as an experimental gallery aiming to connect pop culture and contemporary art. Since then, he has been active as an academic gallery dealing with creativity in peripheral fields such as design, illustration, street, manga, fashion, music, etc. Keiichi Tanaami, Hajime Sorayama, Harumi Yamaguchi, and Toshio Saeki have been re-evaluated for many years outside the Japanese art scene, and strives to introduce them on the stage of international contemporary art. In 2019, the "Tokyo Pop Underground" exhibition, which was held in collaboration with Jeffery Deitch, an American gallerist, became a major international topic as an exhibition that unravels the abyss of Japanese art under a new framework. At the same time, he also focuses on nurturing and supporting young and medium-sized artists from Japan and abroad, and holds exhibitions of leading overseas artists in Japan and overseas, embodying the current state of the global art scene.
URL: https://nug.jp/




■Pokemon

Pokemon's roots are the gameboy software "Pokemon Red Green" released in 1996. The new play, characterized by the collection, nurturing and exchange of Pokemon, gained overwhelming support among elementary school students, followed by a variety of content such as trading card games, TV anime, movies, apps, and more, and their popularity expanded globally. The total sales of game software exceeded 300 million, and the app "Pokémon GO", which was distributed in 2016, reached 1 billion downloads worldwide (as of August 2019), has been loved by a wide range of generations.
URL: https://www.pokemon.co.jp

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